Musicians Touring in
Europe
(Bristol East) (Lab)
9. What progress she has made with Cabinet colleagues on
supporting musicians planning to tour in Europe. (905428)
The Minister for Media, Tourism and Creative Industries (Sir
)
We are working across Government and with the sector to support
touring musicians. Nearly all EU member states offer visa and
work permit-free routes, and I welcome the Greek Government’s
announcement last week of a new route for UK musicians. We
continue to raise touring at the highest level of the trade and
co-operation agreement structure and to engage bilaterally with
member states. Yesterday, the Secretary of State announced that
we will triple funding for the music exports growth scheme over
the next two years. That will enable touring artists to break
into new international markets.
I draw the House’s attention to my entry in the Register of
Members’ Financial Interests. It seems that piecemeal progress is
being made, and the Musicians’ Union and others in the industry
are trying to get clarity on such things as whether portable
instruments and associated equipment can come in. There have been
some developments on that front. Is it the Government’s intention
to negotiate an EU-wide cultural exemption? If so, how are those
negotiations going? If that is not their intention, can they
explain why?
Sir
We have reached a position where nearly all member states—24 out
of 27—offer visa and work permit-free routes for musicians and
creative performers, and we will continue to engage with the
three remaining. We will also engage on this with the EU in our
more general discussions. On the specific issue that the hon.
Lady raises about portable instruments, while ATA carnets are new
for touring in the EU, arrangements are more workable than has
sometimes been reported. We have confirmed that portable musical
instruments carried in or on a vehicle can be transported cost
free and should not require ATA carnets.
Mr Speaker
I call the shadow Minister.
(Worsley and Eccles South)
(Lab)
This year, there will be a third fewer British performers playing
at festivals across Europe than before Brexit. Whatever the
Minister says, I have heard from orchestra leaders that promoters
in Europe are now less willing to book UK musicians. The
difficulties of touring now include impractical cabotage rules,
the steep cost of carnets, and the bureaucratic nightmare of A1
forms and CITES—convention on international trade in endangered
species—certificates. How can we be a truly global Britain when
the Government are not acting to remove these barriers to
international touring for musicians?
Sir
We are fortunate in this country to have some of the finest
performers in the world, and I am keen to ensure that as many
people across the world are able to enjoy their performances, so
we will continue to work on this. As I said to the hon. Member
for Bristol East (), we have already made
significant progress in obtaining visa agreements so that
musicians no longer have to obtain visas, and we will continue to
work with the Musicians’ Union and others to make it easier in
the future.
Mr Speaker
I call the SNP spokesperson.
(Ochil and South Perthshire)
(SNP)
This is all of course very much worse than the situation that
existed before Brexit. , the chief executive officer of
the VOCES8 Foundation, a UK touring group with a music education
programme, has described Brexit as a “bl— nightmare” for
musicians looking to tour in the European Union, and has
said:
“Our industry is on its knees and we have to fight more than
ever”.
Talented Scottish singer Iona Fyfe has said that in Europe
“many promoters, festivals and organisers are simply choosing not
to book emerging acts from the UK to avoid the bureaucratic
headache.”
We have seen the loss of 50,000 jobs in the UK music sector since
Brexit—a shocking waste of talent. How many more will it take
before UK Ministers address their responsibilities to the sector
and stick up for musicians?
Sir
I am surprised that the hon. Gentleman has failed to recognise
the announcements yesterday, which will grow the creative
industries sector by an additional 1 million jobs, with £50
billion of growth. In particular, the music exports growth scheme
has already proved very successful, and we are tripling its
funding to £3.2 million. I hope he will draw that to the
attention of his constituents, who I am sure will welcome it.