Extracts from report stage (Lords) (day 2) of the Immigration and Social Security Co-ordination (EU Withdrawal) Bill - Oct 5

“Duty to report on the arrangements for visitors for business purposes

(1) The Secretary of State must, within six months of this Act coming into force, publish, and lay before each House of Parliament, a report evaluating the effects of this Act on the arrangements for temporary entry and stay of EEA and Swiss nationals for business purposes.(2) That report must include consideration of—(a) the qualification requirements for a short-term business visitor;(b) the activities that can be undertaken by a short-term business visitor; and (c) for purposes of comparison, the reciprocal arrangements for UK nationals travelling to the EEA and Switzerland for business purposes.”Member’s explanatory statement

This new Clause would require the Government to consider the requirements of short-term EEA and Swiss national visitors for business purposes.

The Earl of Clancarty (CB):...There is also the huge concern about short-term work-related visits to this country for artists, which we discussed in Committee and, importantly, for UK artists visiting Europe, with the music industry in particular having an especially large number of concerns about the loss of free movement, including over touring. I will not repeat the detail of what I said on this in Committee, but I want to make one additional point. Free movement for the arts has come to something of a halt as a result of Covid, but it is instructive that interested organisations, despite the big hit that the arts are taking over Covid, in no way minimise the effects of Brexit as they understand it, even in the current crisis of the pandemic. We should not lose sight of that. In last year’s survey of 2,000 members, the Incorporated Society of musicians found that 35% of respondents spent at least one month per year working in the EU. Europe is a significant source of work in the arts, and that loss will not be compensated for elsewhere...

So far as this immigration Bill is concerned, out of the CBSO’s 75 musicians three come from Germany, and one each from France, Ireland, Romania, the Netherlands, Hungary, Portugal, Spain, the Czech Republic and Denmark. I understand from the Association of British Orchestras that that is on a par with most other orchestras. Surely it is essential that, in future, musicians from the EU can continue to come and play in our orchestras and join in other artistic ventures, just as we want British artists to be able to go and work in the EU.

The Association of British Orchestras reports that a major issue for most of its members is how non-UK musicians can come to live and work in the UK as freelancers, given that the majority of orchestral musicians in the UK are self-employed. Under the points-based system there is currently no such route, even if their combined earnings from freelance engagements are above the salary threshold, because they do not have an employer who can sponsor them. There is tier 1, but the bar has been set at an exceptionally high level where a musician has to satisfy an “exceptional talent” test. The Government have talked about introducing an unsponsored route, but for only two years. Practically, orchestras need this to be up to five years, as with employed musicians and we have no timetable for its introduction...

Baroness Bennett of Manor Castle (GP) [V]:...Finally, I refer to the arguments that I made in moving Amendment 2—and I put on record my thanks to all noble Lords who supported it—about the impact on UK citizens’ residence. As I said, how we treat people across Europe will be largely mirrored by how our people will be treated in Europe. I am sure that I am not the only Member to be contacted by desperate musicians and other performers who fear, with good cause, that the restrictions that they may face in response to our restrictions will end their career. I shall not seek to steal words from the Lords spiritual, but the phrase “Do unto others as you would have them do unto you” comes irresistibly to mind...

Baroness Neville-Rolfe (Con):...The arts, especially music, is a people business, and I am concerned about the movement of musicians actors and entertainers across Europe after Brexit. It is not only La Scala and Covent Garden, or the aged Rolling Stones on tour, that I am worried about. I remember one of my sons touring the Netherlands with his school choir and what he learned in poise and culture, and we have much enjoyed the visits of German choirs to Salisbury Cathedral. This amendment is about culture as much as economics, although individual artists and musicians are facing huge economic difficulties with Covid...

The Minister of State, Home Office (Baroness Williams of Trafford) (Con):...Currently, visiting artists, entertainers and musicians can perform at events, take part in competitions and auditions, make personal appearances and take part in promotional activities for up to six months without the need for formal sponsorship or a work visa. They can also receive payment for appearances at permit-free festivals for up to six months—or for up to one month for a specified engagement—under the visitor route.

Artists wishing to come to the UK for longer-term work will need to do so under the points-based system. However, we will maintain a dedicated immigration route for creative workers under tier 5 of the immigration system. This route will continue to cater for the sector as it does now, permitting a broad range of creative workers to live and work in the UK for up to 12 months at a time. Noting what the noble Lord, Lord Hunt, said, about musicians who want to come for two years, I understand that they can stay for up to two years if the sponsor signs for it...

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