In a major move to jump start the country’s cultural
and creative sectors following lockdown, the Culture
Secretary has announced the launch of a
Government-backed scheme worth half a billion pounds
for domestic film and TV productions struggling to
get coronavirus-related insurance.
The Government has also today set out how organisations
can apply for £880 million in grants from next week as
part of the £1.57 billion Culture Recovery Fund, which
is the Government’s biggest ever one-off investment in
the arts.
The new UK-wide £500 million Film and TV Production
Restart Scheme will help to get TV and film productions
across the country that have been halted or delayed by
a lack of insurance to get back up and running, by
giving productions the confidence they need that they
will be supported if future losses are incurred due to
Covid-19.
It will fill the gap left by the lack of available
insurance and cover coronavirus-related losses for cast
member and crew illnesses and filming delays or
disruptions caused by the ongoing battle against the
virus.
In the UK, the film and television production industry
supports more than 180,000 jobs and contributes more
than £12 billion to the economy annually.
The funding will be available to all productions made
by companies where at least half of the production
budget is spent in the UK and is estimated to cover
more than 70% of the film and TV production market to
the end of the year.
Culture Secretary
said:
From award-winning dramas, to iconic comedies and
revered documentaries, the UK makes the films and TV
shows the world can’t wait to watch. Today’s
announcement means more clapperboards snapping into
action in studios across Belfast, Glasgow, Cardiff,
Watford and many more.
Our screen industries are high growth, jobs creating
and showcase the best of British creativity and
innovation, and I’m pleased we can give them this
jump-start to get the cameras rolling again on this
£12 billion industry.
Chancellor of the Exchequer said:
The UK’s film and TV industry is the envy of the
world, and it’s vital that productions get the help
they need to restart as part of our plan to kickstart
jobs following the lockdown.
This targeted scheme, which will help fill the gap
created by the lack of available insurance, will help
protect tens of thousands of jobs, from actors and
directors through to camera operators, costume
designers, and runners. The sector is worth over £12
billion to the UK’s economy, so it’s right that we do
what we can to help them reopen and get back to
making the films and shows that we all love.
As part of the Arts Recovery Fund, grants of up to £3
million will protect important cultural assets and
ensure arts and heritage continues to play a key role
in levelling up the country.
The British Film Institute, Arts Council England,
Historic England and the National Lottery Heritage Fund
have published guidance today on how they will judge
and distribute applications.
A new independent Culture Recovery Board will be
chaired by Sir Damon Buffini to help administer the
programme, advising on the largest grant as well
deciding the beneficiaries of the £270 million
repayable finance element of the £1.57 billion package.
Culture Secretary
added:
Help is on the way to our much loved cultural and
heritage organisations with our £1.57 billion fund.
This support package will protect buildings,
organisations and people to help ensure our wonderful
institutions, big and small, pull through Covid.
Today we’re publishing guidance so organisations know
how to access help. We’re also calling on
organisations to be creative in diversifying their
income streams and the public to continue supporting
the places they love so this funding can be spread as
far and wide as possible”.
In this first round of funding £622 million will be
distributed. Arts Council England will oversee £500
million to support institutions across the arts and
cultural sector including theatres, music and comedy
venues and museums. This allocation includes £2.25
million in targeted immediate, emergency support for
grassroots music venues, which was announced last week.
Independent cinemas will be able to apply to the
British Film Institute’s £30 million grant scheme. The
National Lottery Heritage Fund and Historic England
will deliver £92 million worth of grants to protect
heritage sites.
The remaining £258 million will be reserved for a
second round of funding later in the financial year to
meet the developing needs of organisations.
Successful applicants for grants will need to have an
innovative plan for how they will operate and be
sustainable for the remainder of this financial year,
and be able to demonstrate their international,
national or local significance. Smaller organisations
must show how they benefit their local community and
area.
ENDS
Notes to Editors
Film and TV Production Restart Scheme
- The Film & TV Production Restart Scheme will be
available to compensate productions after they have
restarted, and only where costs are then incurred due
to delays or abandonment as a result of Coronavirus.
- This is a temporary measure, supporting productions
which commence filming before the end of the calendar
year and for coronavirus-related losses through to the
end of June 2021. It will be possible to back date any
future claims for eligible losses to today’s date.
Further details on the eligibility process and claims
system will be provided in the coming weeks.
- Subject to state aid approval, the intention is
that eligible productions will receive compensation for
costs caused by coronavirus delays up to a value of 20%
of the production budget, with abandonment of
productions due to coronavirus to be covered up to 70%
of the production budget, upon agreement with the
Government that abandonment was necessary.
- There will be a total cap on claims per production
of £5m, and productions will need to pay an appropriate
excess when seeking to claim under the scheme, as well
as an appropriate fee when joining the scheme.
Productions will also need to purchase insurance to
cover non-coronavirus risks to ensure their production
is adequately insured.
- Productions will need to provide evidence that they
cannot return to work because of a lack of insurance.
- The Government has been working closely with an
industry working group, as part of the British Film
Institute’s Screen Sector Task Force, to understand the
extent of the problem and explore possible solutions.
The working group was led by Pact and included
participating broadcasters, production companies,
Directors UK and legal and insurance experts.
John McVay, PACT Chief Executive, said:
This is very welcome news from the UK Government who
have worked at pace with the UK’s Film, TV and
broadcasting industry to develop a fund that will
unlock tens of millions of pounds of production Spend
and help to get production companies and freelancers
back to work doing what we do best making great
programmes for the UK and global audiences.
Elizabeth Karlsen, Producer, Number 9 Films (Colette,
On Chesil Beach, Their Finest) said:
It is an understatement to say how pleased we are
that a decision has finally been made to support the
film and television industry at this unprecedented
and crucial time. Without the government’s backing
our industry, which is held in such high regard
throughout the world, was under serious threat. We
can go forward with our project MOTHERING SUNDAY
shooting this Autumn as planned with the best of UK
talent now secure in their jobs. It is an enormous
relief to us and to many people who have been working
tirelessly to keep projects alive over the past few
months. We would like to thank those who given
support and to those who have played a hand in
reaching this vital and welcome decision.
Culture Recovery Fund and Board
- Organisations should visit the websites of their
relevant specialist bodies (British Film Institute,
Arts Council England, Historic England and the National
Lottery Heritage Fund) for further details.
- The Culture Recovery Fund and the Film and TV
Production Restart Scheme come on top of the
multi-billion pound support already made available to
the cultural and creative sectors, including the Job
Retention Scheme and the Self Employed Income Support
Scheme, and the Government-approved Covid-secure
guidance to help these industries restart safely.
Nicholas Serota, Chair of Arts Council England, said:
Arts and cultural organisations are an integral part
of public life in villages, towns and cities across
the country. We warmly welcome and are pleased to be
administering this vital investment from Government,
which will help ensure as many organisations as
possible survive the existential challenge posed by
Covid-19 so they can continue to serve their
communities safely in the future.
Ros Kerslake, Chief Executive of The National Lottery
Heritage Fund, said:
For many cultural organisations this funding will be
the lifeline they have been waiting for and I urge
them to apply as soon as possible. As the lockdown
has lifted, and the public have begun to return
to some of our much-loved places, the true value of
our culture and heritage is more obvious than ever.
It is vital in creating economic
prosperity, in making local communities better places
to live, and in supporting our own personal sense of
wellbeing. We remain dedicated to helping the sector
emerge from this crisis with strength and resilience
so that it can thrive once again.
Sir Laurie Magnus, Chairman of Historic England said:
The effect of Covid-19 on our heritage has been
wide-reaching. The historic places that help define
us are at risk of being lost forever. This Government
emergency funding package of £92m, which we will
deliver in partnership with the National Lottery
Heritage Fund, will be a lifeline for the heritage
sector. England’s heritage is worth £31 billion to
the economy, supports nearly half a million jobs and
engages even more volunteers. It has a central role
to play as the country moves towards a sustainable
recovery. This crucial funding will help the
organisations who look after our locally-cherished
historic sites. It is a recognition that investing
directly in historic places can bring wide ranging
social benefits, inspiring communities to engage with
their past and encouraging creativity, regeneration
and growth.
Ben Roberts, BFI Chief Executive, said:
The BFI Screen Sector Taskforce highlighted the huge
financial pressures facing cinemas as some of the
first cultural venues to reopen with strict social
distancing. So we really welcome the Government’s
culture recovery funding and its vital support for
independent cinemas across the UK, many of whom will
soon be able to provide audiences with a positive and
safe cinematic experience.
Sir Damon Buffini, Chair of the Culture Recovery Board,
said:
I am proud to serve as Chair of the Culture Recovery
Board. The Board will work hard to ensure funding
gets to much loved organisations across the cultural,
heritage and creative sectors. By protecting
organisations large and small, and where possible,
enabling organisations to once again create and
welcome audiences and visitors, this funding will
make a big difference across the cultural sector.
The full list of board members on the Culture Recovery
Board is as follows:
Independent Chair
|
Sir Damon Buffini
|
Commissioner for Cultural Recovery and Renewal
|
Neil Mendoza
|
Arts Council England
|
Sir Nicholas Serota, Chair of Arts Council
England
|
Historic England
|
Sir Laurie Magnus, Chair of Historic England
|
National Lottery Heritage Fund
|
Rene Olivieri, Chair of NLHF
|
British Film Institute
|
Jay Hunt, BFI Governor (Board Member)
|
DCMS
|
Emma Squire, Director for Arts, Heritage and
Tourism
|
Independent Board Members:
- Claire Whitaker
- Baroness
- Hemant Patel
- Samir Shah
Biographies for Independent Board members
Sir Damon Buffini was a founding partner of Permira,
which was named European Private Equity Firm of the
decade (1996-2006) during his time as Chairman and
Managing Partner, and where he remains a senior
adviser. Damon was a Main Board Governor and Chairman
of the Investment Committee for the Royal Shakespeare
Company for five years, 2010-2015. From 2012-2018,
Damon was a Governor of the Wellcome Trust. Damon is
currently Chair of the Royal National Theatre, where he
was appointed in 2015, and he is also Chair of the
Royal Anniversary Trust. Damon was knighted in 2016 for
philanthropic and voluntary services.
Claire Whitaker has over 25 years of board level
experience as an executive and non-executive in the
arts and civil society. Claire was an owner/director of
live music producers, Serious, and Director of Africa
95, a cross art form celebration of the arts of Africa.
She is bid Director for Southampton UK City of Culture
and a Trustee of the Paul Hamlyn Foundation.
Hemant Patel is Finance Director of Premier Inn &
Restaurants at Whitbread plc. Until 2017, Hemant was
chairman of Interplay Theatre, a Leeds based company
using the arts to work with children in special schools
nationally and socially excluded children locally.
Hemant became Chair of the Royal Armouries in 2018. He
left the Armouries in November 2019 and joined DCMS
(Department of Digital, Culture, Media and Sport) in
March 2020 as a non-executive board member and chair of
the audit and risk committee.
Samir Shah is Chief Executive and Creative Director of
Juniper, an independent television and radio production
company. He is Chair of the Museum of the Home and was,
from 2005 to 2014, a Trustee, then Deputy Chair of the
V&A. Before Juniper, Samir was head of current
affairs television at the BBC and, later, responsible
for the BBC’s political journalism across radio and
television.
Baroness is a
Senior Advisor at Brunswick Group LLP where she has run
its geopolitical practice since November 2016. Kate is
a member of the House of Lords and sits on the
International Relations and Defence Select Committee.