Oasis, Beyoncé and Dua Lipa Help Attract Massive 26.8% Increase in Overseas Visitors as Music Tourist Spending hits new high of £11.2 Billion at UK Music Events

Oasis, Beyoncé, Dua Lipa, Coldplay, Lana Del Rey and Kendrick Lamar helped attract a record 24.7 million music tourists to concerts and festivals in the UK in 2025, new figures from UK Music reveal today (Friday July 10). 
 
The long-awaited Gallagher brothers' reunion saw the Oasis Live '25 Tour sell out stadiums, helping boost the total number of music tourists in the UK by 4.8% from 23.5 million in 2024 to the new record of 24.7 million last year.  
 
Those music tourists spent an all-time high of £11.2 billion in 2025 across the UK at major festivals and concerts like Glastonbury, Download, Reading, Boomtown and Wireless. The figure marks a huge 11.3% increase on the 2024 total spend of £10 billion, according to the figures published by UK Music, which is the collective voice of the UK music industry. 

Of the 24.7 million total number of UK visitors, 22.6 million were music tourists from the UK - a 3.2% rise on the 2024 figure of 21.9 million visitors. 

A total of 2.1 million visitors were overseas music tourists - up a huge 26.8% on the 2024 total of 1.6 million. The increase was driven by the large number of overseas music fans heading to popular stadium shows in the UK some of which were the only 2025 European dates for artists like Coldplay, Lana Del Rey and Oasis. [Definitions of UK and overseas music tourists can be found below under notes to editors]. 

A series of Oasis gigs  including five at Manchester's Heaton Park, seven at Wembley Stadium and two at Cardiff's Principality Stadium - saw revenues surge across the UK. In the North West, music tourists' spending rose 15.6% from £1.2 billion in 2024 to £1.4 billion in 2025. In the capital, music tourism spending increased by 27.4% from £2.7 billion in 2024 to £3.4 billion last year.  

The 1975, Neil Young, Olivia Rodrigo and Charli xcx were among the big names at Glastonbury in 2025 ahead of this summer's fallow year and helped boost music tourism outside London and the North West. It was a similar story in East Anglia with Ed Sheeran's run of shows at Ipswich Town's stadium.  

Music fans also poured into concerts staged by Coldplay, Chris Brown and Sam Fender. South Korean artists Blackpink and Stray Kids played their own stadium headline shows in the UK, having both previously headlined British Summer Time in London's Hyde Park, while Catfish & The Bottlemen stepped up to stadiums for the first time in 2025. 

Music tourists supported 74,000 full-time equivalent jobs in the live music sector in 2025 up 3% on the 2024 total of 71,760. This small increase reflects growth in both direct and indirect employment through the value chain supported by music tourism, particularly at stadium and arena level. However, this is not necessarily reflective of employment trends across the live music sector, and particularly at grassroots level where employment levels were hit by higher operating costs and NI contributions. 

Music tourism spending is made up of £5.7 billion spent directly by music tourists attending concerts and festivals in the UK, including the cost of a ticket, on-site spend, travel, accommodation, and meals while travelling to events. A further £5.5 billion was spent indirectly through the value chain, including costs such as fencing and security or a restaurant paying for ingredients. 

In addition to the high-profile tours, 2025 saw major music awards ceremonies move beyond their usual London settings to new locations across the UK. In 2025, for the first time outside of London, the Mercury Prize was hosted in Newcastle, with a week-long programme of fringe events helping attract 8,000 visitors to the city and contributing a £1.4m boost to the North East's regional economy. The MOBO Awards were also held in Newcastle in 2025. 

However, the UK music industry faces a number of major challenges that threaten its world-leading status, including the rising cost of touring in the UK and overseas, the threat of more closures to smaller and grassroots music venues and the cost-of-living crisis facing many music fans. 

Barriers to UK-EU touring post-Brexit continue to hamper the opportunities of artists seeking to build new fanbases in new markets. UK Music continues to campaign for policymakers in the UK and the EU to work together and boost cultural cooperation. In 2025, UK Music co-founded the Cultural Exchange Coalition (CEC) to unite MPs and MEPs to remove the obstacles to touring the EU. 

According to the Association of Independent Festivals, a total of 43 UK festivals were cancelled, postponed or shuttered entirely in 2025, following a record 78 festivals that did not proceed in 2024.  

UK Music Chief Executive Tom Kiehl said: The record 24.7 million music tourists who spent £11.2 billion to enjoy the experience of seeing their favourite acts live is a tribute to the 220,000 people who work across the UK music industry.  

The billions spent are a huge shot in the arm for towns and cities right across the UK and benefit hotels, restaurants, bars and transport firms and thousands of other businesses. 

However, the Government must support music fans by delivering on their manifesto pledge to tackle the menace of ticket touts who charge exorbitant prices for resale tickets squeezing the amount of cash fans have to spend on gig-going. 

We need to see long overdue Government and EU action to help UK performers and musicians touring the EU who have to deal with soaring costs and red tape post-Brexit.  

We also need to see music's grassroots protected and nurtured. This includes the artists, venues, festivals, studios and rehearsal rooms that are embedded in our local communities and who are essential to the future prosperity of our world-leading industry. We must make sure that policymakers recognise their vital economic and cultural value and deliver the support they need. 

With the right support, we can help the UK music industry continue to boost the economy, create jobs and give music lovers some unforgettable experiences. 

Notes to Editors

A domestic music tourist is defined as those who are travelling from within the UK to see live music events, provided they travelled more than three times an average commute for that region. The distance varies region by UK region. A foreign music tourist is someone who has travelled from outside the UK to attend an event in the UK. 

Music tourism spending consists of the money spent directly by music tourists attending concerts and festivals in the UK, including the cost of a ticket, on-site spend like food and drinks, venue parking and camping fees, travel, accommodation, and meals while travelling to events. It also includes money spent indirectly through the value chain, including costs such as fencing and security or a restaurant paying for ingredients. 

The event attendance numbers represent the total number of visits to live events made in 2025. Please note that an individual may visit more than one region while travelling to the same event and visit more than one event per year. 

All figures are analysed by Oxford Economics, a leader in global economic forecasting and quantitative analysis. While UK Music collects data from the industry, all figures are estimations and are subject to revision. 

The spend figurs referred to in the media release are revenues (excluding VAT) supported by music tourism. 

Employment from music tourism captures jobs sustained by music tourism and is measured in terms of full-time equivalency. 

Details on methodology can be found here. 

2025 Mercury Prize: 

Almost 8,000 visitors travelled to Mercury Prize events across the region, generating a combined spend of £874,724 and adding an estimated £552,868 GVA to the regional economy - supporting the equivalent of 13 jobs. As part of the activity around the main awards, 35 local people also gained valuable work experience while 68 children took part in Mini Mercury. 

Details on 2025 MOBO Awards here 

Details on the Cultural Exchange Coalition can be found here.