UK Music Chief Executive Tom Kiehl has
written to Prime Minister Sir urging
him to deliver on his manifesto promises to crack
down on unscrupulous ticket touts by introducing a
price cap on secondary ticket sales, and to tear down
barriers to EU touring.
His call comes amid media reports
suggesting that this urgently
needed clampdown - promised in Labour's
General Election manifesto - has
been dropped from the upcoming King's Speech on
Wednesday May 13 (see under notes to editors for full
letter).
In 2024, the UK music industry was worth £8 billion to the UK
economy, delivered £4.8 billion in exports and employed
220,000 people. However, this vital
contribution will be undermined
if greedy ticket touts are allowed to continue ripping
off music fans by snapping up tickets and reselling them at
exorbitant prices.
In his letter, Tom Kiehl notes that at
present touts can acquire vast quantities
of tickets and resell them at heavily inflated
prices, pricing out real music
fans. This damages confidence in
the ticketing system and frustrates the efforts of artists,
venues, and promoters to keep live
events accessible and affordable.
The Government committed in its manifesto
to introduce “new consumer protections on ticket
resales”. UK Music responded to
a Government consultation on its plans by supporting
plans for a price cap on ticket resales.
The Government formally agreed to do so in its
response to the consultation in November last
year in a move widely welcomed by the music industry,
fan groups and consumer organisations.
However, speculation has mounted that Government
will fail to announce
its long-anticipated crackdown in
the King's Speech and may only introduce a “draft Bill”
- diminishing the prospect of any immediate
action.
In his letter to the Prime Minister, UK Music Chief
Executive Tom Kiehl said: “If the King's
Speech, to be delivered on 13 May, fails to deliver
progress on two specific and vital Labour
manifesto pledges then this will represent a major loss of
momentum and land a hammer blow to the huge economic growth
music generates.
“Music fans are the lifeblood of our £8
billion industry, and the Government must do everything
in its power to ensure they are no longer ripped off on the
secondary ticketing market. By introducing a price cap on
ticket resale, government can put an end to profiteering
touts pricing real fans out of their favourite artists'
shows.
“UK Music is also calling for government to
remove costly and time-consuming obstacles to EU
touring. Seamless cultural exchange between the UK and the
EU is essential to driving export growth, and UK
artists must be able to build fanbases across
the EU free from the prohibitive barriers currently in
place.
“We therefore urge you to use the forthcoming legislative session
to deliver on your clear manifesto commitments
regarding ticket resale and EU touring.”
Draft Bills are usually reserved for contentious
issues that have not been adequately consulted on. UK Music,
which champions the UK music industry, believes the
ticketing legislation must be included in the King's
Speech after years of delay.
Leading artists and musicians have backed calls
for the Government to take action against
ticket touts. In November 2025, Coldplay, Dua
Lipa, Radiohead, Sam Fender, Iron Maiden and were among
those who signed an open letter demanding the
Government clamp down on the touts.
According to
consumer organisation Which?, in 2025, tickets
for Beyoncé's UK tour dates were selling on secondary
ticketing platforms for up to £23,899. Which? also
reported this year that unofficial secondary ticketing
sites could earn an extra £24 million from fans this summer if a
resale cap is not introduced. (More information can be
found under notes to editors below).
Meanwhile, UK Music is also urging the Government to live up to
its manifesto pledge to remove barriers to EU
touring. The UK's exit from the EU has created several
barriers that are making EU tours expensive, bureaucratic, and
confusing for artists and crew. This is
hampering music and other cultural
sectors and negatively impacting the economy.
The Government's manifesto committed to resolving these
barriers to touring. However, at this point we are yet
to see sufficient progress. Government support for the recent
launch of the Cultural Exchange Coalition, as pioneered by
UK Music, its members and other cultural organisations
was hugely welcome, but it would be a missed opportunity if
the King's Speech did not reinforce this support
further.
UK Music has been encouraged by talk of a
potential EU Alignment Bill aimed at reducing trade
friction. Any legislation must address the core
issues impacting EU
touring. Specifically, the Government should look to
use the mechanisms within an alignment framework
to reduce carnet costs and bureaucracy,
solve visa issues, and address cabotage
restrictions.
By addressing these manifesto promises in the King's
Speech, the Government will signal that it truly values
the creative industries as a pillar of national growth.
The full letter to the PM can be read here.